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A LIST OF PUBLISHED

BRUCKNER SCORES

PART 4

SECULAR VOCAL WORKS

Bruckner scores: secular vocal music

 

Abbreviations:  ABSW = Anton Bruckner Sämtliche Werke: ‘new’ Complete Edition,

            ed. Leopold Nowak et al.  Vienna, 1951 - .

           G-A    = August Göllerich and Max Auer.  Anton Bruckner.  Ein Lebens- und Schaffensbild.

            4 volumes in 9 parts.  Regensburg, 1922-37; reprinted 1974, including supplementary      

                                       volume containing corrections and additions.

 

Der Abendhimmel WAB 55: first setting for four-part male voice choir a cappella.  Comp. Linz, January 1862.

 

 G-A III/2, 1930, pp. 18-20.

 ABSW XXIII/2 (Weltliche Chorwerke, ed. Angela Pachovsky and Anton Reinthaler),

  Musikwissenschaftlicher Verlag, Vienna, 2001, pp. 51-3.

 

Der Abendhimmel WAB 56: second setting for four-part male voice choir a cappella.  

  Composed Linz, 6 December 1866.

 

 Doblinger (D.2784), Vienna, 1902.  No. 2 of Zwei Männerchöre.

 Universal Edition (U.E.2918), Vienna.  No. 2 of Zwei Männerchöre.

 Eulenburg, Zürich.  No. 798 in Deutsche Eiche series.

 Fritz Spies, Gevelsberg.  In Beliebte Männerchöre series.

 ABSW XXIII/2, 2001, pp. 75-6.

 

Abendzauber WAB 57: for tenor / baritone soloist, three distant female voices, four-part male voice choir and

 four horns.  Composed Vienna, 13 January 1878.

 

 Universal Edition (U.E.2914), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 ABSW XXIII/2, 2001, pp. 125-34.

 

Am Grabe (‘Brüder, trocknet eure Zähren’) WAB 2.  Same text as Vor Arneths Grabe WAB 53.  For

  four-part male voice choir a cappella.  Composed Linz, February 1861.

 

 Friedrich Eckstein, Erinnerungen an Anton Bruckner, Vienna: Universal Edition (U.E. 7459),

  Vienna, 1923.

 Universal Edition (U.E.4984), Vienna, 1924.  Edited and with foreword by Josef V. Wöss.

 Robitschek (A.R.7182), Vienna, 1954.  Arranged Louis Dité for male-voice choir with

  accompaniment for three trombones or organ or harmonium.

 ABSW XXIII/2, 2001, pp. 47-8.

 

An dem Feste (Tafellied) WAB 59: for four-part male voice choir a cappella.  Composed Kronstorf, 1843.

 

  G-A I, 1922, pp. 229-39.

 Anton Böhm (7438), Augsburg-Vienna, 1930.  Arr. for mixed voices (with new text)

  by A. Zehelein.

 ABSW XXIII/2, 2001, pp. 1-2.

 

Des Dankes Wort sei mir vergönnt WAB 62 for tenor and bass soloists and five-part male voice choir.

  Composed St. Florian, probably between 1845 and 1849 and certainly not later than 1855.

 

 ABSW XXIII/2, 2001, pp. 37-43.

 

Das deutsche Lied (Der deutsche Gesang) WAB 63: for four-part male voice choir and brass (four horns, three

 trumpets, three trombones and bass tuba).  Composed Vienna,  29 April 1892.

 

 Universal Edition (U.E.3300), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 ABSW XXIII/2, 2001, pp. 158-71.

 

Das Frauenherz, die Mannesbrust (Motto for Liedertafel ‘Frohsinn’ in Linz) WAB 95/1: for four-part mixed  choir.  Composed Linz, not later than 1868.

 

 G-A III/2, 1930, p. 158.

 ABSW XXIII/2, 2001, p. 93.

 

Des Höchsten Preis (Motto for Sierning Liedertafel) WAB 95/2:  for four-part male voice choir.  Composed

 Linz, not later than 1868.

 

 G-A III/2, 1930, p. 159

 ABSW XXIII/2, 2001, p. 92.

 

Du bist wie eine Blume WAB 64: for mixed vocal quartet a cappella.  Composed Linz, 5 December 1861.

 

 G-A III/2, 1930.  Facsimile of score, p. 193.

 ABSW XXIII/2, 2001, pp. 49-50.

 

Das edle Herz WAB 65: first setting for four-part male voice choir a cappella.  Composed St. Florian, c.1851.

 

 G-A II/2, 1928, pp. 111-13.

 Robitschek (A.R.7183), Vienna, 1954. Edited Louis Dité.

 ABSW XXIII/2,2001, pp. 21-3.

 

Das edle Herz WAB 66: second setting for four-part mixed voice choir a cappella. Comp. Linz, December 1857.

 

 G-A III/2, 1930, pp. 13-17.

 ABSW XXIII/2, 2001, pp. 44-6.

 

Festlied (Freudig laßt das Lied erschallen) WAB 67: for four-part male voice choir a cappella.

 

  Anton Böhm (6962), Augsburg-Vienna, 1928.  

   Transposed version of An dem Feste (Tafellied) WAB 59.

 

Freier Sinn und froher Mut (Motto for the Liederkranz Gesangverein in Grein) WAB 147: for four-part

 male-voice choir a cappella.  Composed Vienna, 21 March 1874.

 

 Feichtingers Erben, Linz, 1905.  No. 32 of Wahl- und Sängersprüche.  Gesammelt von der

  Liedertafel ‘Frohsinn’ Linz.

 ABSW XXIII/2, 2001, p. 108.

 

Frühlingslied (Leise zieht durch mein Gemüt) WAB 68: for voice and piano.  Comp. St. Florian, June 1851.

 

 G-A II/1, 1928, p.42.  Facsimile of original.

 G-A II/2, 1928, pp. 44-6.

 ABSW XXIII/1 (Lieder für Gesang und Klavier, ed. Angela Pachovsky),

 Musikwissenschaftlicher Verlag, Vienna, 1997, pp. 1-2.

 

Die Geburt WAB 69: for four-part male voice choir a cappella.  Composed St. Florian , 1852.

 

 G-A II/2, 1928, pp. 147-50.

 ABSW XXIII/2, 2001, pp. 24-5.

 

Herbstkummer WAB 72:  for voice (tenor) and piano. Composed Linz, April 1864.

 

 G-A III/2, 1930, pp. 151-7.

 ABSW XXIII/1, 1997, pp. 12-17.

 

Herbstlied WAB 73: for two soprano soloists, four-part male voice choir and piano. Comp. Linz,19 March 1864.

 

 Universal Edition (U.E.3290), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 ABSW XXIII/2, 2001, pp. 54-61.

 

Das hohe Lied WAB 74:

  First version for two tenor and one baritone soloists, four-eight part male voice choir a

 cappella.  Composed Vienna, December 1876.

 

 ABSW XXIII/2, 2001, pp. 109-16.

 

 Second version for two tenor and one baritone soloists, four-eight part male voice choir, four

 horns, three tromhones, tuba, two violas, two cellos and bass.  Vienna, 1879?

 

 ABSW XXIII/2, 2001, 174-86.

 

  Arrangement of second version by Hans Wagner for tenor soloist, four-eight part male voice

 choir, four horns, three trombones, tuba, two violas, two cellos and bass.

 

 Doblinger (D.2639), Vienna, 1902.  Edited and with foreword by Hans Wagner.

 

Im April WAB 75: for voice and piano.  Composed Linz, before 18 September 1865.

 

 Doblinger (D.2248), Vienna, 1898.

 ABSW XXIII/1, 1997, pp. 23-7.

 

Laßt Jubeltöne laut erklingen WAB 76: for four-part male voice choir and wind (two horns, two trumpets, four

 trombones).  Composed St. Florian, 1854?

 

 G-A III/2, 1930, pp. 161-79.

 ABSW XXIII/2, 2001, pp. 29-36.

 

Der Lehrerstand WAB 77: for four-part male voice choir a cappella.  Composed St. Florian, c.1847.

 

 G-A II/2, 1928, pp. 16-22.

 ABSW XXIII/2, 2001, pp. 8-16.

 

Das Lied vom deutschen Vaterland WAB 78: for four-part male voice choir a cappella.  

  Composed St. Florian,c.1845.

 

 G-A II/2, 1928, pp. 14-15.

 Eulenburg, Zürich.  No. 920 in Deustche Eiche series.

 ABSW XXIII/2, pp. 3-4.

 

Mein Herz und deine Stimme WAB 79: for voice and piano.  Composed Linz, not later than 1868.

 

 G-A III/2, 1930, pp. 144-50.

 ABSW XXIII/1, 1997, pp. 18-22.

 

Mitternacht WAB 80: for tenor soloist, four-part male voice choir and piano.  Composed Vienna, Nov. 1869.

 

 Doblinger (D.2861), Vienna, 1903.

 Eulenburg (E.E.4701), Zürich.  No. 800 in Deutsche Eiche series.

 Fritz Spies, Gevelsberg.  In Beliebte Männerchöre series.

 ABSW XXIII/2, 2001, pp. 95-107.

 

2 Motti WAB 148  (1) Motto, Im Wort und Liede wahr und treu; (2) Begrüßung, Wir alle, jung und alt: for

  four-part male voice choir a cappella.  Composed 28 October 1869.

 

 Zeitschrift für Musik 106 (1939), p. 256.  Facsimile of original.

 ABSW XXIII/2, 2001, pp. 94-5.

Nachruf WAB 81: for four-part male voice choir and organ.  Composed Vienna, 19 October 1877.

 

 ABSW XXIII/2, 2001, pp. 117-20.

 

O könnt’ ich dich beglücken (Vaterlandslied) WAB 92: for tenor and baritone soloists and four-part male voice

 choir a cappella.  Composed Linz, 1866.

 

 Doblinger (D.2784), Vienna, 1902.  No. 1 of Zwei Männerchöre.

 ABSW XXIII/2, 2001, pp. 77-89.

 

Sängerbund WAB 82: for four-part male voice choir a cappella.  Composed Vienna, 3 February 1882.

 

 Universal Edition (U.E.3296), Vienna, 1911.  Edited by Victor Keldorfer.

 ABSW XXIII/2, 2001, pp. 140-44.

 

2 Sängersprüche (Mottos for Eferding Liedertafel) WAB 83: (1) Ein jubelnd Hoch   (2) Lebt wohl, ihr

 Sängesbrüder.  For four-part male voice choir a cappella.  Composed St. Florian 1851.

 

 G-A II/2, 1928, pp. 145-6.

 ABSW XXIII/2, 2001, p. 20.

 

Ständchen WAB 84: for tenor soloist and male voice quartet with humming voices a cappella.  Composed St.

 Florian, c.1846.

 

 G-A II/2, 1928, pp. 61-64.  Facsimile of original autograph.

 Robitschek (A.R.7178), Vienna, 1954.  Edited by Louis Dité.

 ABSW XXIII/2, 2001, pp. 5-7.

 

Sternschnuppen WAB 85: for male voice quartet a cappella.  Composed St. Florian, c.1848.

 

 G-A II/2, 1928, pp. 94-6.

 Eulenburg, Zürich.  No. 921 in Deutsche Eiche series.

 Robitschek (A.R.7179), Vienna, 1954.  Edited by Louis Dité.

 ABSW XXIII/2, 2001, pp. 17-19.

 

Tafellied WAB 86: for four-part male voice choir a cappella.  Composed Kronstorf 1843.  Revised version of

  An dem Feste, with new words.  Vienna, 1893.

 

 ABSW XXIII/2, 2001, pp. 172-3.

 

Träumen und Wachen WAB 87: for tenor soloist and four-part male voice choir a cappella.  Composed Vienna,

 18 December 1890.

 

 Theodor Rättig (T.R.223), Vienna, 1891.

 Eulenburg, Zürich.  No. 799 in Deutsche Eiche series.

 Fritz Spies, Gevelsberg.  In Beliebte Männerchöre series.

 Adolf Robitschek (A.R. 5782), Vienna, 1954.

 ABSW XXIII/2, 2001, pp. 154-7.

 

Trauungschor (Trauungslied) WAB 49: for solo quartet, four-part male voice choir and organ.  Composed

  Linz, 8 January 1865.

 

 G-A III/2, 1930, pp. 219-24.  Facsimile of autograph.

 ABSW XXIII/2, 2001, 70-4.

 

Trösterin Musik WAB 88: for four-part male voice choir and organ.  Composed Vienna, 19 October 1877.  

  Same music as Nachruf WAB 81, but set to new words.

 

 Universal Edition (U.E.3294), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 Eulenburg, Zürich.  No. 812 in Deutzche Eiche series.

 Fritz Spies, Gevelsberg.  In Beliebte Männerchöre series.

 Adolf Robitschek, Vienna, 1954.

 ABSW XXIII/2, 2001, pp. 121-4.

 

Um Mitternacht WAB 89: first setting for alto soloist, four-part male voice choir and piano.  Composed Linz,

 12 April 1864.

 

 Universal Edition (U.E.3292), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 ABSW XXIII/2, 2001, pp. 62-9.

 

Um Mitternacht WAB 90: second setting for tenor soloist and four-part male voice choir a cappella.  Composed

  Vienna, 11 February 1886.

 

 Straßburger Sängerhaus (Sammlung bisher ungedruckter musikalischer und poetischer Blätter

 in autographischer Darstellung dem Straßburger Männergesangverein gewidmet).  Straßburg,

  Selbstverlag des Straßburger Männergesangvereines, 1886.  Facsimile and score.

 Universal Edition (U.E. 2927), Vienna, 1911.  Edited and with foreword by Victor Keldorfer.

 Fritz Spies, Gevelsberg.  In Beliebte Männerchöre series.

 Adolf Robitschek (A.R.5780), Vienna, 1954.

 ABSW XXIII/2, 2001, 148-53.

 

Vaterländisch Weinlied WAB 91: for four-part male-voice choir a cappella.  Composed Linz, November 1866.

 

 Emil Berté & Cie (E.B.& Cie 53), Vienna, 1892.  No. 5 in Wiener Componistenalbum, p. 18.

 ABSW XXIII/2, 2001, pp. 90-1.

 

Volkslied WAB 94: composed Vienna 1882.  

  First version for four-part male voice choir a cappella

 

 G-A III/2, 1930, pp. 191-2.  Facsimile of original.

 ABSW XXIII/2, 2001, pp. 145-7.

 

 Second version for voice and piano

 

 ABSW XXIII/1, 1997, pp. 28-9.

 

Vor Arneths Grab WAB 53: for four-part male voice choir and three trombones.  Composed St Florian, March

 1853.  Same text as Am Grabe WAB 2 (1861), but a fourth verse added.

 

 G-A II/2, 1928, pp. 184-8.

 ABSW XXIII/2, 2001, pp. 26-8.

 

Wie bist du, Frühling, gut und treu (from Amaranths Waldeslieder WAB 58); for voice and piano.  

  Composed Linz, 1856.

 

 Die Musik I / 17 (1902), supplement.  Edited by Max Marschalk

 G-A III/2, 1930, pp. 184-8.  Facsimile of autograph.

 ABSW XXIII/1, 1997, pp. 3-11.

 

Zur Vermählungsfeier WAB 54: for four-part male voice choir a cappella.  Composed 27 November 1878.

 

 Jahrbuch des Stiftes Klosterneuburg III (1910), p. 133.

 Universal Edition (U.E.4980), Vienna, 1921.  Zur Vermählungsfeier - Ave regina coelorum,     edited and with foreword with Josef V. Wöss, no. 8 in the Kirchenmusikalische Publikationen

 der Schola Austriaca series.

 ABSW XXIII/2, 2001, pp. 135-9.

 

© Crawford Howie     November 2004

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